Posted by Writers in Residence
A MERE FIFTY-SEVEN YEARS AFTER The Emancipation Proclamation, humanity was granted the timely presence of a great man. This man’s words are archived for us in the many beautiful poems and ideas he left regarding the dual-consciousness that some African-Americans felt during his time: on the one hand, learning to assimilate into white society, and on the other, struggling to maintain cultural autonomy. Even without knowing who this man was, a poem such as, “The Negro Speaks of Rivers”, waves that dual-consciousness a generation removed from bondage.(1) This poem – if one can see past its vivid sadness – hides evidence of an energy that would aid the birth and rise of the Harlem Renaissance.
Langston Hughes wrote that poem as a teenager in 1920, where he sat as a passenger on a train that took him directly over the vast Mississippi River. Langston was on his way to meet his estranged father, who lived far to the southwest, in Mexico City.(2)
About his poem, Langston stated the river made him feel a connection to history, pre-January 1st, 1863(3). That he recalled reading President Lincoln’s biography, about the horrors of bartering over and selling humans, in places near the Mississippi: the same water that nourished the cotton fields, once smothered his people. Feeling this, he wrote, “I’ve known rivers ancient as the world and older than the human blood in my veins…I bathed in the Euphrates when dawns were young.”
There are parallels today which beckon the spirit of Langston Hughes – a disunity of culture which cannot be broadly articulated. Yet, this is a great month, a great opportunity to spy the past, realizing that everyday can be a Mississippi River – an image that stirs our core energy and compels us to bring about our vision of who we want to be, perhaps 57-years from now. We all carry that energy, but like Langston we have to have the courage, the will to express it – even when things are dark and out of reach…
We all have those days, mornings when the sunrise seems more of a weapon of torture than a symbol of a new day, of new beginnings. When I get down, or when I’m lonely, when darkness calls for friendship, I find myself sitting on the front porch steps listening to Langston’s mama talk to him, encouraging him. Langston archived this image in one of his most famous poems. He wrote it for you:
“..Boy, don’t you turn back.
Don’t you set down on the steps.
Cause you finds it’s kinder hard.
Don’t you fall now — For I’se still.
I’se still climbin’, And life for me.
ain’t been no crystal stair. “ (4)
1. Langston Hughes, 1920, “The Negro Speaks of Rivers”
2. Langston was of mixed race, picture Terrence Howard after three or four strong cups of coffee.
3. Official signing of the Emancipation Proclamation
4. Excerpt from, “Mother to Son”, from Hughes, Langston. “(James) Langston Hughes.” Gale Database Contemporary Authors (2003): Web. November 13, 2010
Photo: Langston Hughes, circa 1925,public domain